There were some issues in the pass protection as well. He made some incredible throws under duress as well. When Will (Levis) had time, he was very good like he usually is. This is, being physical and being able to run the football and being able to protect the quarterback. “There’s certainly some things we all felt coming out of the game that need to be looked at, need to be addressed and we need to improve. All in all, probably a little better than I thought. We had the one turnover on downs, and five punts, two field goals and one touchdown.
Defensively we really settled in and did some good things as well, they scored on three possessions. Nine possessions is not a lot of possessions, part of that is defensively we settled in and gave them the long drive early and capped it off at the end just trying to get off the field and give up a seven minute drive that ended on downs. Otherwise, it’s sitting there looking at seven of nine, so we punt the ball two times. The other one, which kind of leaves you a little bit aggravated was that 14-play drive that ends in no points. Offensively we really only had nine possessions and you look at that, want to say on the nine possessions and we scored some form of points on six of the nine. With having a kickoff return and then a turnover that we scored two plays later. You look at it again and it was a strange game. You know after the game, it’s never quite as bad as you think it is or never quite as good. You probably knew that was going to be the opening statement, right? Much like I said after the game, game one, week one. Finishing before 11 p.m., Future eventually delivered a decent party for the modest audience, but it wasn't anything close to the banger of last year's sole hip hop show by Snoop Dogg and Wiz Khalifa.“After watching the film, I thought we did some good things, and some things we need to get better. Fire and security officials declined to share an exact number. Lakeview employees estimated attendance between 4,500 and 5,000. Aside from Bob Dylan's June show with an estimated 3,000 fans, Future drew one of the smallest crowds to the Amp this summer. They screamed and waved around their phones whenever prompted. The hype commands grew repetitive, but the young crowd didn't seem to mind. So when Future emerged, it was a testament to the artist that the crowd continued to enthusiastically follow directions shouted by him and the DJ. After the DJ and openers zipped through less than two hours of rapping over thunderous backing tracks, the crowd had already been told to either put their hands up or "make some motherf-ing noise" more than 50 times. Though he brought the least energy, Zoey Dollaz was perhaps the most memorable of the three, after leading a vigorous "F- Trump!" chant twice during the night.
A Boogie Wit Da Hoodie opened the show with fellow rappers Rich the Kid and Zoey Dollaz. The crowd cheered at length, with many lawn ticket holders rushing into the pavilion to get a closer view for photos, videos and Snaps.
Shimmering in his new silver jacket, he launched into full songs, incorporated stomping dance moves and delivered an earnest, mesmerizing flow on "My Savages." His signature mumble-rap improved too, into distinct, ferocious growls on the heavy-hitting finale series of hits: "Low Life," "F- Up Some Commas" and his biggest smash, "Mask Off." Fortunately, Future crackled with sudden energy when he returned.
Totally different show, but it's worth noting. And Mike Love sang every song from beginning to end. The Beach Boys, who are more than twice Future's age, breezed through the same total number of songs at Chevy Court on Friday night. The whole charade seemed unnecessary when Future had done so little to earn that break. In the meantime, Future's four dancers busted out low-key break dance moves to keep the momentum going. Incredibly, Future left the stage after 30 minutes for a break and a costume change. It was a shame to see such little effort in the first half of his set, especially when Future is critically acclaimed as an Atlanta rap veteran known for melancholy tones and lyrical spontaneity. In place of musical follow-through, Future's set relied on overstimulation - a non-stop flurry of lights, videos, lively backup dancers and air horn blares to fill any silence.